Tyson Grumm

Grumm’s paintings invite us into a parallel world where fantastical animals come alive and eccentricities are born. His images appear as if freeze-framed from a surreal film, so rich and full of narrative, we catch only a moment of a much larger story yet to be told. Grounded in a hint of the commonplace – a recognizable object, a conversant glance between two figures, a charming nostalgia – Grumm uses these familiarities as a point of connection and departure. A boat becomes a backpack, a chair is fit for a bighorn sheep, a ping-pong table hosts a match between an ostrich and a beaver, a rocket ship reveals a rhino. Created entirely in the mind of the artist, his figures often hold historical significance, appearing to be both characters and caricatures, distinctive and unusual. These colorful and unique works engage our imagination in endless possibilities, leaving behind breadcrumb clues to a path only traveled along by dreamers.

Tyson Grumm was born in Newcastle, Wyoming, in 1972. He studied at Southern Oregon University where he received his Bachelors in Fine Art in 1996.

The Laundering Bear (Spin Cycle Deep Dive)

Acrylic on panel, 24 x 24 in, $7,000.00

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The Unmoored Meadow (Where the Whales Rest and the Cattle Roam)

Acrylic on panel, 16 x 24 in, $4,200.00

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The Bread Winner (Butter and Thunder)

Acrylic on panel, 16 x 20 in, $3,800.00

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Polar Opposites

Acrylic on panel and wood foundry mold, 19.5 inches diameter, $6,000.00

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Giant Husky Sharp-Shooter

Acrylic on panel, 18 x 21.5 in, $4,200.00

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Barrel Humped Prickle Seat

Acrylic on panel, 16 x 15 in, $3,000.00

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Jumbuck Wooly Weather Apparatus (circa 1999)

Acrylic on panel, 15 x 16 in, $3,200.00

This obscure cupola-like backpack was the perfect solution to weather on the go. It was never mass produced but used sporadically in the Scottish Highlands at the turn of the century. Its challenging size and weight required that the Jumbuck be transferred periodically from mutton back to mutton back.

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Teeter Totter Water Totter

Acrylic on panel, 24 x 36 in, SOLD
The ongoing complexity of weighing and documenting certain wildlife species has always been a massive task, usually involving tranquilizing the animals so that it can be checked in relative safety. With the introduction of the water totter, a fresh new scheme to approach this dilemma for larger animal life was hatched. The idea was to use some form of bait on one end of the sea-saw that would encourage the animal to climb up onto the undulating buoy. At that point the mechanism would register an accurate weight and then gently drop its subject back into the water. Loosely tested for a few seasons, the water totter seemed like it was more work than payoff and the tranquilizer method was put back into practice.

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